Literature and Film Coursework Example | Topics and Well Written Essays - 1250 words

Literature and Film - Coursework ExampleSile finds a wife and Stride faces his opponents and overthrowss them. However, some(prenominal) the stories do not end in the heros glorifications. While Sile gets a wife, his another(prenominal) conflict is a disreputable boy in debt of him and while Stride gets pass the cowboys, he still needs to avenge himself from those missing him dead. This is concluded by someone elses dignity or courage being sacrificed to rattling uphold the heros glory. Siles wife decides to finish off once and for all someone in debt of him through beating him up, thus gaining the upkeep of being in debt to Sile by the entire Zongo steet. Stride on the one-hand, held irritate the Greers by letting them go into town as his messenger, only to find Mr. Greer dead, but his enemies in hot pursuit of him, falling into his bait of luring them into the desert. In the end of both stories, one is left thinking if both heroes really deserve to be called the heroes. Be cause, inasmuch as they altogether attained self actualization and peace of mind in the end, the underdogs and the people they digest outwitted actually did the dirty job for them. The difference between Mallam Sile and Seven Men From Now is their portrayal of a strong hero. In Mallam Sile, the hero is ironically puny and small, almost helpless, but gets his way at the end. In Seven Men From Now, he is a braw cowboy, dashing, fearless and wise but also is brave enough to face a cowboy duel. The conclusions also vary by Sile acquiring his peace and restoration, while Stride, chasing after his sheriff position, in which the audience is left hanging if Stride actually makes it or not. Siles complete interest also becomes his wife while Strides was left hanging in the end. Was there retribution at the end Definitely, and that is the biggest similarity of both the film and the story. It is a matter of the good guys finishing on give-up the ghost while the bad guys die, perish, or ma de to pay debts. Where is That Voice Coming From and Bullitt The overpowering similarity in the film and in the story, is again in the character. Although the dilemmas, the core of killing and the moral compasses of the stories were also similar, one justification boils down to the characters essential trait Indifference. Both characters are indifferent to the fact that what they are doing is actually getting a human life. They have been indifferent, to a certain point, so as they do their job well, make their goal and actually affirm themselves, whatever the means they do it so, and without consideration of the people involve. Of course, both means were by shooting. The essential difference of the two, is that Bullitt actually contemplates his guilt at the end, but, does he repent We do not really know for sure. On the one-hand, the protagonist of Where is That Voice Coming From actually owns up to his killing and is actually happy about doing so. Their drives and motives for ki lling are also very different. In Where is that Voice Coming From, the actual motive could be deeply rooted through hatred and envy, it could even be a racial slur. But in Bullit, the motive to kill was actually to do his job, and to bring about justice to the other people criminals have killed in turn. Second-guessing oneself is an essential theme in both the stories as well. In Bullitt, it literally is second guessing-that is having the wrong person accused of